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Southeast Asia’s homegrown artists are knocking K-pop off its pedestal

Al Jazeera · Jul 1, 2026, 1:59 AM · Also reported by 1 other source

Key takeaways

  • Drawing lessons from the global success of K-Pop, the region is finding its own voice in a new generation of artists.
  • “Over the past five years, I think I’ve switched from 70 percent Western music to, right now, around 70 percent Philippines and then 30 percent elsewhere,” Bajo, who lives north of Metro Manila, told Al Jazeera.
  • “There were bands and groups in the Philippines that were making quality music before 2020, but it just boomed after that here,” Bajo said.

Why this matters: an international story with cross-border implications worth tracking.

Drawing lessons from the global success of K-Pop, the region is finding its own voice in a new generation of artists.

xwhatsapp-strokecopylinkgoogle Add Al Jazeera on Googleinfo BINI performs at the Coachella Valley Music and Arts Festival in Indio, California, US, on April 10, 2026 [Daniel Cole/Reuters]By Erin Hale Published On 1 Jul 20261 Jul 2026Filipino call centre worker Jaycer Bajo’s Spotify playlist has changed a lot over the past few years.

Bajo used to mostly listen to chart-topping hits from the United States, but these days, he has a steady stream of Pinoy Pop, or P-pop, artists on rotation: from boybands ALAMAT and BGYO, to the girl group BINI, which in April became the first all-Filipino girl group to perform at the Coachella music festival.

Article preview — originally published by Al Jazeera. Full story at the source.
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